Friday, May 29, 2009

from the Ventura County Star: Playing Birdie in 'Little Foxes' is dream role for 'Newhart' star Julia Duffy

"Playing Birdie in 'Little Foxes' is dream role for 'Newhart' star Julia Duffy Friday, May 29, 2009 By Jeff Favre

It’s not hard to imagine why the casting director for the Pasadena Playhouse’s proposed revival of The Little Foxes hesitated to audition Julia Duffy for the role of Birdie.

After all, Duffy remains in most memories as the cute, pouting maid on Newhart, definitely a far cry from the timid, depressed alcoholic Birdie in Lillian Hellman’s famed 1939 play set in the turn-of-the-20th-century South.

But Duffy, who will turn 58 next month, pegged Birdie as one of the roles she had long admired and that she now felt mature enough to tackle.

'I lobbied hard to be seen for the role, and eventually they let me,' she said last week."

Sure enough, her instincts were correct. Duffy was picked to co-star with Kelly McGillis, who will play the lead role of Regina, in The Little Foxes, which opens tonight at the playhouse under the direction of Dámaso Rodriguez..."

To read the rest of the article at VenturaCountyStar.com, click here.

Julia Duffy in The Little Foxes. Photo by Craig Schwartz

Thursday, May 28, 2009

Julia Duffy article from the Pasadena Star News


A wonderful article From PasadenaStarNews.com...

"Duffy holds her own in `Little Foxes' By Michelle J. Mills, Staff Writer Posted: 05/28/2009 03:54:01 PM PDT

Kelly McGillis, as Regina Giddens, during a dress rehearsal for the play 'Little Foxes', at the Pasadena Playhouse, in Pasadena, Wednesday, May 20, 2009.

Julia Duffy began her career in soap operas, including 'One Life to Live,' but is best known for her role as Stephanie Vanderkellen in CBS's "Newhart.' Her character was pert and preppy and her inner sweetness shined through. This is not unlike her new role on the Pasadena Playhouse stage as Birdie Hubbard in Lillian Hellman's 'The Little Foxes.'

'The Little Foxes' opened on Broadway in 1939. Set in Demopolis, Ala., in 1900, the work focuses on a family whose members are scheming against each other in a grab for money to support a business opportunity.

'But beyond the level of greed and what it does to people, I think it says a lot about shift of power within families, within social structures and a bit about women, a gender power shift that was beginning,' Duffy said."

To read the full article, click here.


Above: Julia Duffy in The Little Foxes. Photo by Criag Shwartz.

Tuesday, May 26, 2009

See Bette Davis in the film of THE LITTLE FOXES with special guests!

The Little Foxes Presented by American Cinematheque

June 15 @ 7:30 p.m.
Egyptian Theatre, Hollywood

Join us for a screening of the 1941 film directed by William Wyler, starring Bette Davis, Herbert Marshall and Teresa Wright. Following the screening, the director and cast of Pasadena Playhouse's production of The Little Foxes will join David Wyler (son of William Wyler) and Deborah Martinson (author of Lillian Hellman: A Life with Foxes and Scoundrels) for a talk-back.

Tickets $10 Playhouse patrons receive $2.00 off!

Call (323) 461-2020 x 112 to redeem discount. Ask about special group rates. www.americancinematheque.com

Friday, May 22, 2009

Pasadena Playhouse Represented at the National Library of Norway

For the past few years, the Pasadena Playhouse archivists have been keeping in touch with the good folks over at ibsen.net, a program of the National Library of Norway under whose auspices they are creating a database of information on all productions of Henrik Ibsen plays, translations and adaptations, all over the world, ever.

About a year ago, they emailed us asking for a list of all the Ibsen productions we had ever staged, and we were able to promptly send one off. So, they’ve got all our productions listed on their searchable website now (And there are LOTS – try visiting www.ibsen.net and searching for “Pasadena Playhouse.” It’s an impressive list.).

More recently, I was reading an early history of the Playhouse covering the years 1917 to 1921, and discovered a whole chapter dealing with a rather controversial production of “An Enemy of the People” we staged during those years. I immediately thought of Ibsen.net, and sent them a copy. The website’s editor, Benedikte Berntzen, was pleased to receive the story, but followed up with an inquiry about the possibility of us sending them any original documen
ts we could spare for their permanent collection at The Ibsen Centre at the University of Oslo.

So, I sent volunteers Nola and Carolyn downstairs to comb our vaults for any
extant duplicates of programs related to Ibsen shows. The intrepid volunteers emerged the following week, considerably dustier than when they went in, but bearing a sizable stack of programs and advertisements. They went out in the mail that day, and a few days ago I received an email from Mr. Berntzen confirming that they had received our package and thanking us for the service. Normally, it is not Playhouse policy to release original documents from the Archives, as our history is fragile, valuable and limited (Most people who request information today receive high-quality computer scans of what we have in our records, in order to minimize deterioration and hold on to what we have, while also making as much available to the public as possible).

However, these programs will be preserved in one of Europe’s most significant collections for students of the dramatic arts and Ibsen scholars for generations to come, creating a broader knowledge in the world at large of Pasadena Playhouse, the College of Theatre Arts, and their immense contribution to world theatre.

- Penn Genthner, Playhouse Archivist

Photos: Henrik Ibsen, courtesy of PBS.org; Penn Genthner.

Wednesday, May 20, 2009

Of WriteGirls, Elections and Cultivating Meaning

On May 3rd, Pasadena Playhouse joined forces with WriteGirl, a young women’s literacy and mentoring organization, to produce an event called PlayWriteGirl. This was both a large-scale, daytime writing workshop and an evening performance complete with pre- and post-show food and wine receptions. During a grand gathering on our patio, writing generated during the day by young WriteGirls, many of whom were Pasadena-based and attending for the first time, was selected and disbursed to actors who quickly turned around and performed the material that same evening.

I am late with this post.

Initially, I was going to talk about putting the event together and how excited I was to see the Pasadena Playhouse campus literally converted for a day into a wall-to-wall creative space for the mentoring of young women.Then, after May 3 came and went, I was going to write about how much energy was swarming the campus from dawn to dusk – how the first volunteers arrived to set up before 8:30 in the morning, and the last of us didn’t leave the theatre until after 11:00 that same night. How the girls, with much specific guidance, wrote and re-wrote and edited and finessed. I was going to talk about the 70+ young women, the 60+ mentors and guest writers, the 15 celebrity actors, the tremendous food and wine vendors, the countless staff & volunteers from Write Girl and Pasadena Playhouse who were here celebrating the written word, live theatre and fantastic food and drink. I was going to write about all of us coming together as a new community.

But I didn’t.

And today, May 20th, I finally know why I have taken so long to write about this event.

We had a special election yesterday. A special election where every proposition failed by at least 60%, except one: Proposition 1F, which dealt with limitations on the salaries of elected officials in times of state deficit. This one passed with a whopping 73.9%. The message from the citizenry was clear. Now, regardless of your politics, and whether you voted for or against these propositions, as a citizen of this state, you know we are facing some serious challenges – in the arts as well in public education.

Yesterday evening, I attended a parents’ forum that addressed some of the possible consequences of this already-almost-tired economic crisis to our schools. My daughter is barely 2, and I am doing what I can to stay optimistic about her possibilities regarding education, but suffice it to say, it is not a fun time to be a parent trying to figure out what’s best for your kid.

I don’t mean to be bleak, but it’s scary. Scary to think about ratios in classrooms going up to 40:1 and scary to see even further losses of arts and physical education programming, as these are two of the most important elements of quality education in my mind. It’s simple – when students receive more personalized attention, they are more able to reach their potential; if their minds and bodies are creatively and physically challenged and engaged, they learn endurance, ingenuity, team work, comprehensive thinking and problem solving skills.

On May 3rd, on the campus of Pasadena Playhouse, I saw a more stimulating academic environment than I ever could have imagined. Write Girl’s programs focus on one-on-one mentoring. This is how they can boast the shocking statistic that not only do all of their girls’ graduate high school, but also 100% of them go on to college. Pasadena Playhouse boasts an almost 100-year history of producing great theatre, and the same girls who spent the day writing took part later that day in an event where their work was performed, both back to them and to a larger public audience. The stakes were high for them in this extracurricular event, which made it important and meaningful.

Our kids need to be stimulated by understanding themselves and their work as part of a larger collective consciousness. The haphazard community created on the day of PlayWriteGirl sparked one of the young women to tell me “this was the most amazing thing [she’d] ever been a part of and [she] would never forget how it felt to hear someone speak [her] words back to [her] – like it made them really mean something.” In an era where there is so much information and input and “stuff”, to find this “meaning” in one’s work is gold.

I submit that the future of education will still, fundamentally lie in the hands of parents and schools; but community partnerships like the one we experienced here 2 weeks ago will play an increasingly pivotal role in providing students with meaningful educational experiences that fall outside the realm of traditional school curricula. We need to be innovative in the way we are working together to create opportunities for youth. We need to be the facilitators of a-ha moments. We need to encourage the fostering of meaning.

I look forward to our continued collaboration with WriteGirl, as well as our continuing collaborations with other organizations like Phoenix House, West of Broadway and Theatre 360. I also look forward to our work within the schools. As necessity breeds invention, I am eager to see what will come.

Photos: rhe cast and crew of PlayWriteGirl, Alexix Chamow - PPH Education Director.

Monday, May 18, 2009

A important mesage from LA Stage Alliance

A special message from LA Stage Alliance Executive Director, Terence MacFarland

"I'm asking for your help to try to secure financial support for the arts from Sacramento! I know there's a lot on all of our plates right now, however, an important decision regarding the future of arts funding in California is being decided this week!

AB 700 - The Creative Industries & Community Economic Revitalization Act 2010 goes to the Assembly Appropriations Committee on Wednesday, May 20th! (Click through the link to see the text of the bill - otherwise, know that it directs 20% of sales tax from the sale of art and art supplies to the California Arts Council.)This is the committee that has killed similar bills the past two years. If we can get it out of Appropriations then it has a very good chance of passing. This committee is the gate keeper to a full Assembly vote. Note that Kevin de Leon from Los Angeles is chair of Appropriations. He needs to know that this bill matters to his constituents!!
If you are inclined to support this bill, here are two options- the first takes one minute, the second takes five minutes!

One minute version, click here to send an email in support of AB700.

Five minute version - fax in a letter of support for AB700: Is there any chance of getting a letter of support to the author from your organization by the end of the day Tuesday?

This could mean over $20 Million a year to support the California Arts Council!

Here is the California Arts Advocates info page on AB700: http://www.californiaartsadvocates.org/ab700.html

Here is a list of other supporters: http://www.californiaartsadvocates.org/AB700Support.html
If you can, please join me in acknowledging Assembly Member Krekorian's work on our communities behalf!!

Please feel free to forward this message along to your networks!

Thank you!
--
Terence

Sunday, May 17, 2009

Pasadena Playhouse Donor Event

Hi, I am Patti Johns Eisenberg and I work at the Playhouse as the Leadership Gifts Manager. Last week we had a wonderful, fun event for our most generous donors; a party at Tiffany & C0.

Paige Pomerantz, Director of Tiffany in Pasadena and Michele Engemann, our Board Chair hosted the cocktail party for 50 at the store in Old Town Pasadena. Champaigne flowed and the delicious appetizers from The Kitchen were passed. Paige welcomed the Mayor of Pasadena, Bill Bogaard and toasted Pasadena Playhouse for its Season of Women and the wonderful outreach programs we have. She also gave a brief history of the new jewelry line of Tiffany Keys. Sheldon Epps and his wife Monette Magrath were there as well as Damaso Rodriguez, associate artisic director and director of The Little Foxes. Besides Michele and Roger Engemann, Board Members Lilah Stangeland, Sheila Grether-Marion, Margaret Sedenquist, Sharon Muir, Cynthia Bennett, Lyn Spector (ok, diamonds are a girl's best friend) came to visit and shop. Many other friends and donors came including our friends from Riverside Si and Skip Ober, we all had a wonderful time.


Roger Engemann, Playhouse Board Chair Michele Engemann and Playhouse Artistic Director Sheldon Epps.

Thursday, May 14, 2009

New BroadwayWorld article - THE LITTLE FOXES CASTING - Kelly McGillis and Julia Duffy Lead the way

Hey there Playhouse fans - just some light reading should you be following THE LITTLE FOXES...

From BroadwayWorld.com:

"Pasadena Playhouse (Sheldon Epps, Artistic Director, Ken Novice, Interim Managing Director, Tom Ware, Producing Director) today announced full casting for the upcoming production of Lillian Hellman’s The Little Foxes, which began rehearsals this week. Dámaso Rodriguez (Pasadena Playhouse Associate Artistic Director), who directed Pasadena Playhouse’s critically-acclaimed production of Orson’s Shadow, directs a cast of ten led by Kelly McGillis as Regina Giddens (Top Gun and Broadway’s Hedda Gabler) and Julia Duffy as Birdie Hubbard (CBS’s “Newhart”). Preview performances begin May 22 at Pasadena Playhouse (39 South El Molino Avenue, Pasadena)."

"Damaso has brought together a tremendously exciting cast for our production of Lillian Hellman's great American classic. I am especially happy to welcome Kelly McGillis to the stage of the Playhouse, and I know that she will follow a long line of notable actresses who have brought tremendous theatrical excitement to the plum role of Regina,” said Pasadena Playhouse Artistic Director Sheldon Epps. “I look forward to watching the dynamic fireworks that this wonderful group of actors will bring to this terrific play."

To read the full article, click here.

Tuesday, May 12, 2009

Reviews are in for CROWNS "Steamroller entertainment!" says the Los Angeles Times


See what F. Kathleen Foley of the Los Angeles Times has to say!:

"'Crowns,' a co-production of Ebony Repertory Theatre and the Pasadena Playhouse at the Nate Holden Performing Arts Center, serves as both bittersweet memorial of hard times past and rousing celebration of cultural renewal present.

The story centers on emotionally battered Yolanda (crystal-voiced Angela Wildflower Polk), a young Brooklyn girl sent to live with her grandmother in the South after her brother's murder. Yolanda's Mother Shaw (authoritative Paula Kelly), a devout churchgoing lady, tries to mend Yolanda's broken spirit by declaring, 'Our crown has already been bought and paid for. All we have to do is wear it.'

That quote, borrowed from James Baldwin, forms the thematic fulcrum of the play, which is broken up into segments emulative of various church services, with an emphasis on ritual -- wedding, funeral, baptism. "

To read the full review, click here:

Click here to buy tickets!



"Crowns" Original Painting ©2009 Synthia Saint James

Monday, May 11, 2009

LA Stage Magazine interviews the cast and creatives of CROWNS

Hi there Pasadena Playhouse fans! I wanted to share this wonderful article from LA STAGE MAGAZINE, written by great friend of the Playhouse and theatre advocate Deborah Behrens! Enjoy

"When Aretha Franklin sang “My Country Tis of Thee” at Barack Obama’s presidential inauguration, it wasn’t the Queen of Soul’s trademark voice that captured the rapt world’s attention. It was her choice of millinery. The now iconic grey felt hat with its front-and-center rhinestone-studded bow went from being a Capitol steps debutante to an international fashion diva in less time than it takes to post a Twitter tweet. Today it has its own Facebook page, an upcoming exhibit at the Smithsonian and a reserved final resting place in the Obama presidential library.

That the daughter of renowned minister C.L. Franklin should choose a chapeau of such imposing character comes as no surprise, says Wren T. Brown, founder of the Ebony Repertory Theatre (ERT) who, in a historic partnership with the Pasadena Playhouse, is co-producing the Los Angeles premiere of Regina Taylor’s Crowns, a musical that celebrates the African American church tradition of wearing hats, which opens May 8 at the Nate Holden Performing Arts Center before transferring to the Playhouse on July 10.

Directed by ERT Artistic Director Israel Hicks, with musical direction by Eric Reed, the LA production stars Paula Kelly, Suzzanne Douglas, Vanessa Bell Calloway, Ann Weldon, Sharon Catherine Blanks, Angela Wildflower Polk and Clinton Derricks-Carroll..."

Top read the rest of the article. click here.

Tuesday, May 05, 2009

Crowns Group Sales Event - meet the playwright and hear the songs!

Come for the presentation, a complimentary pre-show reception, and a free raffle with prizes provided by Barnes and Noble and other Pasadena Playhouse partners!

Festivities begin: 12:00 p.m.
- Enter our free raffle for a chance to win gifts from Barnes and Noble and custom made hats from That's Yvonne
- Listen to live music provided by The Instrumental Women Project
- Enjoy complimentary refreshments from Gelson's Supermarkets
- Buy tasty treats from the Gourmet Cobbler Factory

Presentation on the Mainstage: 1:00 p.m.
- A special discussion of the musical by Regina Taylor, Crowns playwright
- A presentation of the costume and set design for the show
- A live performance from the musical starring three members of the cast!

Admission is FREE but RSVPs are required. Contact Paul Millet at pmillet@pasadenaplayhouse.org or (626) 737-2851 with your name, phone number, and the number in your party . If you do not hear back from Paul, assume that your reservation has been received.